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The Gear

Soundhouse

Built from the ground up.

Console : Trident 80B

40 inputs, 24 monitor, 24 buss, (64 inputs available on mix down).
Recapped in 2016 by Jack Endino.
(trivia: Pink Floyd used a Trident 80B to Track The Wall.)

Outboard Mic Preamps
  • API – total of 10 channels
  • API 3124 – 4 channel mic pre
  • API 3124 – 4 channel mic pre
  • – both w/API 2520 Op-Amp  – Classic Console Circuit
  • (2) API 512c
  • Neve – total of 6 channels
  • (2) Vintage 1073s (with EQ)
  • (4) 1073s DPAs
  • Universal Audio
    • 2 -610 (with EQ) (We have an additional 2-610 on advance request!)
    • 6176 Vintage Channel Strip: (1) 610 pre and (1) 1176 style compressor
  • Great River (4)
    • (2) Great River MP-500NV
    •  Great River MP-2NV 2 channel preamp
  • Chandler
    • (2) LTD-1 (neve style with EQ, great on bass and kick!)
  • Millennia HV-3D
    • 8 Channels of pristine, high end mic pres

Analog Recorder:
      • Studer A827 – 2″ 24track
Digital Recorders:
    • ProTools 12 HDX + UAD2 Quad card
    • Apple Mac Pro 3.33 Ghz 6-Core/32GB RAM
    • CD Recorder / Player

Digital Conversion – 32 channels

  • (4) Mytek 8×192 ADDA converters

Software and Plug-ins

    • ProTools 12 HDX
    • Antares Auto-Tune
    • Waves Gold Bundle
    • Waves IR-1 (convolution reverb)
    • Universal Audio
        • LA-2A
        • 1176LN/SE
        • Pultec EQP-1A
        • Realverb Pro
        • Neve 1081 EQ
  • Lexicon 224 (UA Plug-In)
  • Massey DRT (Drum Replacement Tool)
  • Massey L2007 Mastering Limiter
  • Massey THC Distortion Stompbox
  • Massey TD5 Tape Delay
  • McDSP
  • Soundtoys

 

Monitors

    • Genelec 1030A
    • Yamaha NS10m
    • Tannoy DMT215
    • JBL 4412

 

Headphones

    • Audio Technica ATH-M50 (x2)
    • Sony 7509 (x5)
    • Sony 7506 (x2)
    • AKG 240s (x4)
    • Fostex T20’s (x4)
    • AKG headphone w/ phantom mic
    • Closed back headphones:
      • Sennheiser HD 280 PRO
      • Audio-Technica ATH-M50X

 

amplifiers

    • Mains: Bryston 4B SST
    • Near Fields (NS10m): Bryston 3B
    • Near Fields (Genelecs): self powered
    • Hafler Headphone amps (2)
    • Live Room monitors (JBL 4412’s): QSC Amp
    • Rane Headphone amp

instruments

    • Hammond C3 with Leslie 122
      (Same thing as the B3, made for churches with a board across the back so no one can look up the organist’s skirt…)
    • Upright Piano
    • Guitars, basses, etc on request (see below)

 

Our assortment of Bass/ Kick Drum microphones:

AKG D112 (x2)
AKG D12
Electro-Voice N/D868 ND868
Audix D4
Telefunken M82
RE20

 

 

Our Microphone Locker

Neumann Tube U47 (org.) from approx 1948. (in for repair at the moment)
Neumann U87 (w/ Stephen Paul mod)
Neumann U87 70’s Vintage, rediaphramed
Neumann U87 Vintage
Neumann KM84 (x2)

AKG Tube C12VR w/ 6072 tube
AKG 414 (x2) (sn matched silver pair)
AKG C 451 B (x2)
AKG 460B (x2)
AKG D112 (x2)
AKG D12

Lauten Audio Atlantis FC-387 FET Condensor

Pearlman TM-1
Mojave Audio MA300
Telefunken M82

Josephson e22s (x3)

AT 4050
AT Pro 37 (x2)
AT Pro 37R
AT-8035 (Shotgun Mic)

Coles (BBC) 4038 Ribbon
Royer 121 (x2) Matched Pair Ribbon
Beyerdynamic M160 Ribbon
RCA BK-5B Ribbon

Korby Kat Blue

Electro-Voice RE20
Electro-Voice N/D868 ND868

Sennheiser MD421 (x5)
Sennheiser 441 (x2)

Shure SM81 (x2)
Shure 520D “Green Bullet”
Shure SM7
Shure SM57 (x4)
Shure Beta 57
Shure Beta 58
Shure Beta 87A

Crown PZM 30D (x2)

Outboard

Compressors and gates

    • Teletronix LA2A Tube Opto Vari-Mu Compressor.
    • Urei 1176 Blue! – the early model, approx: 1967
    • Urei 1176 Silver – from approx. 1973
    • (x2) Distressor EL8X (consecutive serial numbers – both w/ Brit Mod.)
    • (x2) Distressor
    • DBX 160xt (x2)
    • DBX 128 compressor / limiter
    • DBX 166 stereo
    • DBX 160 VU Black Face
    • Fairchild 663 Opto Compressor
    • Symetrix 501
    • Chameleon Labs 7720 Stereo Compressor (Jack’s)
    • SSL G Series Stereo Compressor (The Glue)
    • Drawmer LX20 stereo
  • Federal AM-864/U Tube Compressor / Blackface / 1957 / has the Steve Firlotte / Inward Connections update / mods.
  • Signal Corps BC-730-C (early Federal AM-864/U) tube compressor from 1942
  • Aphex 612 Gates (x2) (w/ Roger Nichols “Wendel” circuit)

 

 

 

equalization

    • Summit Tube 200A Stereo Eq
    • API 550b (x2)
    • Fairchild 664A eq (x2)
    • Chandler LTD-1 Pre/EQ
    • Vintage 1073 Pre/EQ
    • Blonder-Tongue Audio Baton, all-tube graphic EQ from 1959, restored by Jack

effects

    • Lexicon PCM91
    • Lexicon Model 200 (vintage)
    • Lexicon PCM41
    • Lexicon PCM42
    • Lexicon PCM60
    • Lexicon LXP5
    • Lexicon LXP15
    • Yamaha Rev 7
    • DBX Subharmonic synth
    • Eventide H3000S Harmonizer

 

    • Tascam balanced line converters (2)

 

instruments / amplifiers

    • Marshall JCM 800 Lead head
    • Marshall 300w 1960 Half Stack cab
    • Fender Hot Rod DeVille
    • Sunn 200S w/ 215 cabinet – Rocks!
    • Fender Twin Reverb (1965) all stock!
    • Ampeg Fliptop B12

direct boxes

    • Demeter Tube DI
    • Countryman DI (x2)
    • DCE – 32 Jensen DI’s “Synth Driver”
    • Jensen / Wolfe DI (Sunset Sound)
    • Radial Engineering J48 STEREO DI w/ Phantom Power

 

Additional equipment / instruments on  advanced request

Microphones

    • AKG D112
    • Beyerdynamic MC930 (x2)
    • SM58 (x2)
    • Shure SM7B
    • AT 2030

 

Amps & Other Stuff 

    • Ampeg V-4B
    • Yamaha monitor wedge
    • Power amps (Bryston 3B, QSC)

 

Mic Preamplifiers

    • UA 2-610 (for a total of FIVE – Kick/Snare and Overheads!)
    • Rupert Neve Designs Portico 5024
    • Symetrix SX-202
    • Grace 101 
    • Vintage Altec 1589B (killer on snares!)   – w/ 1588B and 1588C Transformers

 

Effects / Processors

    • Lexicon PCM90
    • Moogerfooger Lowpass Filter
    • Symetrix 425 Dual Compressor/Limiter/Expander

Instruments

    • Gibson Les Paul
    • Martin Acoustic (D-35)
    • Martin Acoustic (D-35 S)
    • Larivee Acoustic bass
    • Cedar Mountain Banjo
    • Nord 2 Rack

 

Jack’s stuff on  advanced request

 

 

 

Microphones
  • Shure Revere CR81A Controlled Reluctance Mic
  • Chameleon Labs TS-2 mic
  • AKG 414 (2) (black)
  • Shure KSM 44 mic
  • A-T 4033 mic
  • Shure SM91 kick mic
  • Shure Beta 58
  • D112s (x2)
  • MD421s (x4)
Other Stuff
  • Millenia TD-1 DI/preamp
  • Radial DI
  • Endino “G-Fog” Re-Amp box
  • (2) Yamaha Monitor wedges
  • Ramsa stereo power amp
Instruments / Amps / Pedals
  • AD/A Flanger (org)
  • Musitronics Mu-Tron III (org)
  • (2)Dunlop crybaby
  • Korg Toneworks DTR1 Rack Tuner
  • Electro Harmonix Electric Mistress (org)
  • Electro Harmonix Memory Man (org)
  • Ampeg SVT II bass head
  • Energy 2×15 bass cab
  • Fender Twin Reverb amp (“Bleach”)
  • Fender Twin Reverb amp, (mid 60’s all orig)
  • ’64 Deluxe Reverb
  • Marshall JMP 50-watt head (1978)
  • Marshall JCM 800 100W (1983) with Soldano Preamp Mod
  • Marshall JCM-2000
  • Fender Deluxe head
  • Zinky MOFO 50w Head and cab
  • Sovtek heads MIG 50 and a MIG 60
  • Acoustic 204 cab w/ 4 GM70 Celestions
  • Peavy Classic 30 amp
  • Fender Bassman blackface head
  • Fender Bassman 135 head
  • (2) Golden Gate Model 1155 head
  • Stromberg – Carlson tube head
  • Traynor YBA3 Custom Special head
  • Fender 64′ blonde Showman head
  • Seymour Duncan Convertible head
  • Silvertone amp
  • Alamo single-15 tube combo amp
  • Roland TR–808 (orig.)
  • Jack’s “G-FOG” Drums:
    Kick – 14 x 22 Ludwig
    Snare – 14x 6 Rodgers Dynasonic Steel
    Tom 1 – 12 x 9 Ludwig
    Tom 2 – 16 x 17 Ludwig
    Spare Pearl 13″ Rack Tom, black
    Spare snare, metal, large, no-name
    Various drum hardware, pedals and cymbals
  • 6 guitars, 3 basses, etc . . .