The other day Chris DeMarcus came down to Soundhouse from Canada to record some drums for SMP. You see, we have a reputation for getting killer drums sounds. When he got here in the morning he was psyched about all of our vintage gear. I helped him get the kit miced up, everything patched in and the Headphones going. I don’t see many people tracking with compression but as he was after a certain something. While dialing in his tones he would suddenly turn, make some adjustments and say something like, Wow, I really wasn’t liking the way that was sounding, now it sounds great!

I didn’t get to see them when they left, so I sent him an email thanking him for making the trip.

This was his reply –

> Thanks guys, it was great.
>
> I was working quick, so I had some phase issues, but as soon as I got
> things fixed in Protools, it turned out to be the best drum recording
> I’ve done anywhere. Those Chandlers, and Great Rivers, and the
> Trident console pres sound great.
>
> The room sounds awesome. I’ll probably come back down during the
> summer to record some more drums and maybe a little guitar.

Thanks Chris!

Gotta love that 🙂

The other day I walked in to find that I forgot to pay my “dues” to the Juju Queen.

The true nature and depth of Jack Endino‘s magic, part mortal, part God of Thunder became excruciatingly apparent.

Mr. Endino, who’s been mixing all kinds of albums here over the years is apparently in cahoots with, and channeling some of the Soundhouse Voodoo, both creating it and drawing from it, was found with his “batteries run down”. My fault Jack, sorry. There are still some things that I am learning about the care and maintenance of Soundhouse and some hiccups are bound to occur. Scotty Crane (the mad man charged with creating this oasis, this magical music making, hoodoo venue – the man who used his “connections” with the “Otherworld” in order to bestow upon it the very best in musical Juju and Vibe) has done his best to convey to me how to care for Soundhouse, but, as you may or may not know: language is not fully sufficient for communications about such things. Perhaps you’ve noticed the Gargoyles around the studio. I understand much, MUCH more now. A quick call to Scotty got me on the right track, the Juju restored and Jack is recovering slowly but surely. A little pick-me-up note to him would surely be appreciated.

Mouthful there. And quite in the realm of sensationalist journalism! I never liked journalism in school. Too many rules. But, it’s late and I’m tired and whether I’ll think it’s funny tomorrow, well, I’ll find out.

Chris “L.C.” Hunter (bass and backing vocals for Kandi Coded (Flotation Records) has a new band called Torch Burner (Chris Hunter-Bass/vocals, Mitch Wolfe-Drums, Apples Bonafazi-Guitar, Frank Gross-Lead Guitars). They came in for a quick one-day-three-song-record-and-mix-session with Mr. Endino on Monday. If anyone can do THAT in a day it’s Jack! I never did get to hear a whole song, but it sounded like a Seattle ROCK revival!

Young Dead Men

James Crosbie – Bass/Vocals
Nate Watkins – Lead Guitar
TJ Payne – Rhythm Guitar/Vocals
TJ Watson – Drums

… were in last weekend with Mr. Fisk – a young band (yes, they ARE young men) but in the studio they were, as Fisk said, “one take wonders”.

Coming in this month…

The Insurgence

Back Beat Blue

Stag

Barrett Martin (Screaming Trees drummer, Barrett Martin Group, Sunyata Records)

Let It Sparkle

Blue Star Creeper

Big Dirt (from the Wandering Infinity Collective)