Yup, these guys spent four days here at the end of August, with Steve Fisk. Some really talented and creative kids, umm, I mean CATS. I walked in once and they were dropping a bag of percussion instruments on the floor … I think they were recording that, but I’m not 100% sure. They did some cool/creative stuff recording and they have the right guy producing them – Steve made good use of the Fairchild EQ’s and Opto Compressor! That just made my day. It’s also cool to see Fisk’s ARP 2600 in the studio.
Check em out here: SEACATS
And, while we get lots of positive remarks about the Vibe at Soundhouse, this gives us a little extra credit, too …
The other day Chris DeMarcus came down to Soundhouse from Canada to record some drums for SMP. You see, we have a reputation for getting killer drums sounds. When he got here in the morning he was psyched about all of our vintage gear. I helped him get the kit miced up, everything patched in and the Headphones going. I don’t see many people tracking with compression but as he was after a certain something. While dialing in his tones he would suddenly turn, make some adjustments and say something like, Wow, I really wasn’t liking the way that was sounding, now it sounds great!
I didn’t get to see them when they left, so I sent him an email thanking him for making the trip.
This was his reply –
> Thanks guys, it was great.
> I was working quick, so I had some phase issues, but as soon as I got
> things fixed in Protools, it turned out to be the best drum recording
> I’ve done anywhere. Those Chandlers, and Great Rivers, and the
> Trident console pres sound great.
> The room sounds awesome. I’ll probably come back down during the
> summer to record some more drums and maybe a little guitar.
Gotta love that 🙂
The other day I walked in to find that I forgot to pay my “dues” to the Juju Queen.
The true nature and depth of Jack Endino‘s magic, part mortal, part God of Thunder became excruciatingly apparent.
Mr. Endino, who’s been mixing all kinds of albums here over the years is apparently in cahoots with, and channeling some of the Soundhouse Voodoo, both creating it and drawing from it, was found with his “batteries run down”. My fault Jack, sorry. There are still some things that I am learning about the care and maintenance of Soundhouse and some hiccups are bound to occur. Scotty Crane (the mad man charged with creating this oasis, this magical music making, hoodoo venue – the man who used his “connections” with the “Otherworld” in order to bestow upon it the very best in musical Juju and Vibe) has done his best to convey to me how to care for Soundhouse, but, as you may or may not know: language is not fully sufficient for communications about such things. Perhaps you’ve noticed the Gargoyles around the studio. I understand much, MUCH more now. A quick call to Scotty got me on the right track, the Juju restored and Jack is recovering slowly but surely. A little pick-me-up note to him would surely be appreciated.